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Horst P. Horst directing model Lisa Fonssagrives (1949). Courtesy of Getty Images. |
Horst P. Horst, or simply Horst, dedicated 60 years of his
life to fashion photography. During this time he captured various celebrities
such as Jean Cocteau and Marlene Dietrich, the Presidents and their First
Ladies, the royal families and models for countless magazine covers.
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Vogue (May 1941). Source: https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrfA-zzgt7AhjVzMWM2kgBWXQmcU2mUJIkQxwOgtwrvmGgqrpDnEKTd5dHo4k0HuFJjbFhCsZRrsC9kbZt-0JZ4X5BusghUjSIBO5_w_mzTtzCGTRDGHGqjhax23WcgkbiT1PFg3oBnzo/s1600/vogue8.jpg |
Horst Paul Albert Bohrmann was born in Germany in 1906. His
young years coincided with one of the most vibrant period in the art history –
the 20s and the 30s. Having taken the course in furniture making, Horst learnt
about Bauhaus and headed to Paris to learn from the pioneer of modern
architecture Le Corbusier. However, he quickly changed his mind and quit, but the
major adventure was already waiting for him.
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“A model wears a fuschia dress suit and hat with bow detail by Emme” (1961). Courtesy of Condè Nast Archive. Source: https://pleasurephoto.wordpress.com/tag/horst-p-horst/page/6/ |
In Paris he met fashion photographer George Hoyningen-Huene
who worked for Condé Nast, and became his assistant and protégé. Very soon
Horst outgrew his friend. By 1939 he was hired by Condé Nast to work in New
York. Shortly before leaving Europe he shot one of his most famous images -
The Mainbocher Corset, the picture of a model
wearing an unraveling corset. According to Cathy Horan, “He said the picture
summed up his feelings about an era's end. “While I was taking it,” he said, “I
was thinking of all that I was leaving behind” (NY Times. Link: http://www.nytimes.com/1999/11/19/arts/horst-p-horst-photographer-of-fashionable-dies-at-93.html).
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The Mainbocher Corset (1939). |
New York has truly opened a whole new chapter for Horst. He
later received American citizenship and served in US Army as a photographer. He
also made sure that name became everlasting in the history of fashion
photography. Horst’s pictures are based on the exceptional use of lighting
techniques, experimentation with forms and implementation of visual harmony.
The models look like the dancers carefully snapped at the moment of their
ultimate grace. Whether it is a wide shot or a close-up, in black and white or in
colour, it is always very elegant, subtle and sensual.
It is difficult to imagine that someone successfully worked in
such a dynamic, fast-moving industry as fashion, from 30s to early 90s. Horst
managed to stay always up-to-date, which takes a truly youthful soul and the infinite
energy. Horst was very productive and has left a massive body of work. “I like
taking photographs, because I like life,” he once said. “And I love
photographing people best of all, because most of all I love humanity.” (Art SY.
Link: https://artsy.net/artist/horst-p-horst)
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“Model Wearing Yellow Felt Hat” (1943). Source http://filmosofiatv.blogspot.ca/2014/01/grandes-fotografos-horst-p-horst.html) |
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1947. Source: https://pleasurephoto.wordpress.com/tag/horst-p-horst/page/9/ |
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Vogue (May 1952). Source: http://fashionindustryarchive.com/Covers/Vogue-Cover-May-1952-Lisa-Fonssagrives-by-Horst-P-Horst/
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By: Christina Ptuhina
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